Katie Bruce (right image taken by Katie)

This week was filled with work but also play. Residents Katie and Jane continued their pieces from last week. Katie brought in a new colour to her embroidery pieces which really highlight the embossed areas found in our old wood floors. Jane started a new print inspired by the many cat pictures she has up in her studio and also finished her prints from last week with glitter and sequins.

Jane Wiseheart

Kyle and I ran a private silkscreen workshop which went really well and we are happy to have two new open studio members at Spark Box because of it! We also met with Kristy from Pathways to Independence in Trenton and are going to be hosting a workshop with a group their later this month.

Cooking at From the Farm

This week also brought a lot of cooking and great food. My mother, sister, grandmother and I went to a cooking workshop at From the Farm where we learned the art of cooking Italian food. We made a four course meal during the four hour. We started with an artichoke dip, followed by handmade ravioli, the main course brought pesto wrapped pork with roasted fennel and arugula salad and finally an upside down apply cake. Amazing!

A Weekend Away

In addition to the cooking, printing and workshops of this week Kyle and I spent a lot of time outside. We went away for two days this past weekend to a friends cottage on the Kawartha Lakes. It was a great little break and a nice weekend with friends we don’t see very often.  We also starting working in the garden which is hard work but extremely rewarding.

Our Garden

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How to re-stretch mesh onto an aluminum frame:

1. First, take the broken screen and cut a ‘plus’ sign into the mesh. I found that this gave me a good starting point to ripping the mesh off. When I tried using a X cut from corner to corner, it left a lot of remaining screen debris towards the corners. Rip the mesh along one edge towards the corner, then rip the other edge towards the same corner, now rip the corner section off. Repeat this for all the edges.

2. You may see that there are bits of mesh still remaining glued down near the corner, try to remove what you can by picking at it and hopefully you can pull it off. I found that using a utility knife helped in removing the last bits. Don’t worry too much if there is some remaining, when we grind the frame it’ll come off.

3. If you can, go outside and set-up a work table. You will be grinding aluminum and thus creating dust, so doing this process inside the studio was a big ‘no go’. You will need several tools. A metal grinder with a grinding disk, palm sander with 80-120 grid sand paper, particle respirator (not a dust mask, a real respirator, protect your lungs), gloves, clamps, and safety goggles.

4. I clamped the screen down to the table, and begun lightly grinding the frame. The idea is to remove all the glue off the frame and at the same time give the frame tooth to accept a new layer of glue. When you’re grinding the frame you’ll want to be careful not to spend too much time in one spot otherwise you may grind a pit into the frame, and that’s not good.

5. Afterward I used the palm sander to quickly run around the whole frame, this cleaned up some (not all) ink stains, hardened emulsions, or weird glue deposits from tape. When finished rub the frame clean with a rag.

6. Set-up a large station inside, I had to push to a couple desks together. I recommend that you avoid using the floor as a work surface, the mesh is oddly charged with static electricity and will pick up all the dirt off the floor. The stretcher we bought came disassembled in 8 pieces and was really easy to build following the manufacturers instruction.

7. Once the system is set-up and the frame in place, coat the frame with a layer of glue. We purchased the glue from the same company that sold us the stretcher, it is clearly an extremely strong contact cement. I recommend that you open a window and wear a vapor rated respirator mask.

8. It takes 8-10 minutes for the glue to become ‘dry to the touch’. At this point lock into the stretcher your desired new mesh. Crank all the clamps down onto the mesh and begin stretching each side a little bit at a time. You can buy a tension meter which will tell you exactly what tension of the screen is or I compared the tension to another commercially stretched screen we had in the studio.

9. When you’re happy with the tension cut a piece of cardboard slightly smaller than the interior of the frame and place it on the screen. Now apply a second layer of glue to the frame. The cardboard prevents any stringy bits of glue from falling onto the middle of the screen. Like I mentioned earlier the screen has a lot of static electricity and so it tends to attract the stingy glue. Once done let the frame sit for 25 minutes.

10. When you loosen all the clamps and remove your newly stretched frame cut off the excess screen mesh. Finally, use metal foil tape (purchased from a hardware store in the duct working aisle ) to cover the glued side of the screen. That’s it, finished.

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Carl Wiens’ silkscreen pieces are near completion with just one last layer. Can’t wait to see them all finished! Looking forward to seeing some more people working in the Open Studio including Nicole Armour. If you haven’t seen Nicole’s handmade books you really should take a look, they are beautiful! She also has a very insightful blog about books, movies, music and friendship called The We of Me.

We are excited to start another month and invite new people into our home and studio. On Wednesday we picked up our newest resident coming to us from Israel and staying for two weeks. Nava Astrachan will be working on three etchings during her stay. (image below taken from HERE).

On Thursday Kyle and I got to see all of our work up at the John M. Parrott Art Gallery and share the moment with our friends and family. The evening was a success and we were so happy to see friendly faces out for an evening in Belleville to support us and our work.

The end of this week finds the end of Sarah Burwash’s residency with us. It has been great having Sarah at the studio. I love her work and will be sad to see her go. I mean just look at this map she made of the area … awesome!

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This time last year we had  printmaker Tessa Androutsopoulos staying with us. Tessa traveled to us from Finland. She studied printmaking at Gray’s School of Art in Aberdeen, Scotland and in her application she sent images of her degree show entitled “World Destroyer”. This exhibition explored imaginary of cityscapes through wall painting and traditional printmaking. This was one of the most vibrant applications we had received and I was very excited to see what she would create while at Spark Box.

The work she completed while at the studio lived up to our expectations. Tessa was with us for two months and during that time she made a screen print series inspired by the circus, as well as a number of large and small linoblock prints. She had made so much during her stay and had met so many people we thought it would be fun to host an exhibition of her work. The exhibition was great and the party was so much fun. Tessa’s work filled the front room of the old studio and people young and old enjoyed her humorous images and lighthearted display.

Six days after we moved into the new location we hosted our first resident, Krystal Read, hailing all the way from Dallas, Texas. I must say we were pretty nervous about having a resident only five days after we moved but lucky for us she was great and everything came together just fine. Krystal worked with etching and silkscreen while at the studio. She produced four progressive etchings with silkscreen components and several great sketches (like the one you see above). Krystal’s work is filled with layers of imagery from her past, found images and pop culture.

In her own words “many remnants of history, like old photos, are discarded or quietly tucked away without much reference. It is the rediscovery of these historical remnants that fascinates me. After stumbling upon a collection of old photographs at an antique store, I was drawn by the mystery of the photos. These ghost-like images that are discarded and almost lost to history implore elaboration and interpretation. Through various mediums (drawing, etching, performance, photo-animation) I explore how history can evolve into fantasy or decompose into remnants.

By etching a memory onto a metal plate, I explore the attempt to hold on to history. The medium allows me to explore the many facets of a memory by creating various states in which I scrape away parts of the image and fabricate other details. The plate retains each consecutive mark and, as a result, becomes a recording of historic events. Photo-animation also allows me to record the life of a memory by photographing the slow erasure of an image or the added drawing of a self-imagined context. This deliberate elaboration and removal of details generates questions about the elusive story of the image while exploring themes of memory, time and truth.”

karigaron.blogspot.com

Sometimes, when you don’t have time to create a whole body of work, it is fun to participate in a collaborative project. That is why this past summer I applied to be part of the Littlest Print Exchange. The Littlest Print Exchange is an annual juried trade of tiny art prints. Fifty artists are each invited to submit an edition of 50 prints and in turn receive a complete portfolio of 50 prints from all 50 contributing artists.

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To my luck I was picked to be one of the 50 printmakers involved. So in early October I got to work making my 50 3″ x 3″ etchings to send off to Illinois. Why did Christopher Clark start the Littlest Print Exchange? He says that  ”in truth, the Littlest Print Exchange is a chance to defy the notion that bigger is better, to prove that good things really do come in small packages, and to build connections between artists working around the globe.”

Being the owner of a print studio I encourage any opportunity to see the work of other printmakers and to connect with them. Because of this I was really excited and happy when I say the little package sitting in our mail box from Chris. I am also happy to announce that all of you can see these great prints as well. We will have the Mini Print Show up at Spark Box Studio until the end of the month.

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Collins works mostly with Gocco prints. For those who are unfamiliar with Gocco prints they are done with a self-contained color printing system. It is similar to silkscreen printing and was invented by Noboru Hayama in 1977. Gocco was very popular in Japan in the 80s and is now used by many printmakers that cannot afford traditional silkscreen equipment (which can be very expensive). They are also very small so you can easily use them to print in your home.

I love Collins’ drawing style, it reminds me a lot of Andy Warhol’s early works of cakes and shoes! I also love how fun and playful her illustrations are. If you want to see more of her work you should check out her Etsy shop: http://www.etsy.com/shop/hellojenuine.

Soon after Spark Box opened its doors we began receiving inquiries about hosting a children’s art camp during the summer. However, the thought of a bunch of paint-covered kids running around our small studio space was enough to keep us up at night. When we expressed our dilemma, our supportive community stepped forward to provide us with a camp location! Mia Lane, and her daughter Becky Lane, offered to host the camp on an amazing wooded property by Fish Lake. During the week of August 16 – 20, 8 kids from all over the world came to print, paint, draw and sculpt in the woods.

Not only did we have a great location, we also got great help. Becky Lane, a local designer, helped Chrissy Poitras plan, organize and run the camp. While the kids had fun creating their art, they were also taught and inspired by the art history each of their projects was drawn from. The campers learnt about the impressionists while painting en plein air, the earth art movement in the 1960s by creating sculptures out of natural materials, and the history of street art when making their own graphic text pieces, to name a few.

By the end of the camp the kids had created an impressive array of remarkable art works, installed their own exhibition in the woods, titled and priced their work, and made personalized invitation for their family and friends. They had a great turn out and some even sold some work!