RECENT NEWS: WORKSHOPS, WOODCUTS & TRAMPOLINES
I can’t believe it’s Wednesday and I am just now getting to our post about last week. As you can probably imagine it was packed full (mostly of marking student work for final grades). We had three great residents staying with us last week– Kristy Lynn, Tamara Sponder and Genna Kusch, an etching workshop, Loyalist marking and a kids birthday party!
Fox Drop by Kristy Lynn
Cosmic Honey, Books Series, Kristy Lynn
Last week was Kristy Lynn’s final week with us. She decided to add a little printmaking to the mix and finished two editions in silkscreen. Her prints turned out great (you can see them at the studio in our Curio Shop). We were really impressed the the number of pieces she completed while at the studio. While I was going through the updates she made to her website I noticed the image above, a page from her notebook, which made me feel so happy about the our home and studio.
Woodcut by Genna Kusch and Tamara Sponder
Woodcut by Genna Kusch and Tamara Sponder
Genna and Tamara, both friends from Queen’s, came down to work on a number of projects for the week. They had started a woodcut at the studio two years ago and finally completed it, they also began an installation project which I am curating with them and finally Tamara worked on a series of etching for her Littlest Print Exchange submission.
Workshop with Trenton High School
Workshop with Trenton High School
Near the end of the week we hosted the second half of the Trenton High School Etching Workshop. During this half the students came to the studio to print their etched copper plates. We taught them about the etching process, the inking process and how to use the intaglio press. They each had the chance to work with two different colours and chine-colle. All the students left with at least 6 – 8 prints. We were contacted afterwards by the teacher with a biggest thank you email and an invitation to be the keynote speakers at the school Art Awards (so nice).
To top it all off we got some time in on my nieces new trampoline when Kyle and I (plus two of the residents) went to her third birthday party.
Links for this week:
- I am hoping to get as good as these kids on the trampoline.
- I want to write a convincing letter to Printeresting so we can get a free can of their Gamblin Ink.
- This post made me pretty excited about planting a garden this year.
- I really love the paintings of Jules De Balincourt!
What a great week!
-Chrissy
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COMMUNITY PRINTSHOP: BOOKS
We are always using books as reference here at the studio. They are great resources for workshops, inspiration and trouble-shooting. Here are three of our favourite printmaking books.
The Printmaking Bible
This book lives up to its title covering intaglio, screen print, relief print, monoprint and chine-colle. It is packed full of step-by-step guides, 1,000′s of full colour images and tool/material lists. Sadly, it focuses on traditional (toxic) materials, most of which we don’t use in our studio. We still use this book during workshops to give students a quick guide to what they will be learning. What I love most about this book is the example images. They use contemporary artists to illustrate the processes and all of the images are in full colour.
Print Liberation
This is a really fun book about screen printing. It covers both DIY printing and commercial printing. There is a fun little history section that I love using in workshops. They also included pre-made stencils which not only work as great examples but can be used by someone trying screen print for the first time.
Print Workshop
This is a more recent addition to our resource library. Like the Printmaking Bible this book is packed full of different techniques ranging from relief printing to solar fabric printing, however, unlike the Printmaking Bible this book is all about DIY culture. This book simplifies the processes, highlights the beauty of imperfections found in handmade prints and creates a fun, DIY atmosphere around each process. This approach makes this the ideal book for kids workshops and workshops we don’t host in our studio.
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RECENT EVENTS: SGCI NEW ORLEANS
Last week I went on the road to New Orleans for the South Graphics Conference. This was the first time attending this conference, actually this was the first conference Spark Box Studio has ever attended, needless to say I was pretty excited. Sadly, since we had residents booked in I had to make this trip alone, which meant a lot of long days and lonely travelling. Lucky for me tons of like-minded printers attend this event every year so the loneliness was short lived.
The trip began early Thursday with a 4 am drive to the Toronto airport. With just one minor hang-up with customs, I was quickly jet-setting to Louisiana. I arrived early afternoon, dropped my publisher booth stuff off and headed to my accommodations (which I found on Air BnB). The rest of Thursday was made up of searching for groceries and relaxing on the roof top of the loft I was staying in.
Friday was day one of the conference. Spark Box had a booth in the publishers fair so I left early to set-up my table. I took a walk through the beautiful, yet very smelly, French Quarter to the Sheraton Hotel where the conference was being held. I was the first publisher to arrive … which made me feel like a silly eager Canadian. But my eager attitude paid off leading me to meet so many nice people and share information to them about our studio and residency. Because of that minor customs hiccup I wasn’t allowed to sell any prints … but I did get to speak about them and the great printmakers who created them. I was set-up near the Robert Blackburn Printmaking Workshop Program and got to met Chris Dunnett and Phil Sanders. I now hope that I will get some time to go to NYC and check out their space.
I left the publisher fair early that day to attend one of the demonstrations being held at Tulane University. The demonstration was being done by our university print professor Otis Tamasauskas. The drive to the demo was longer than I thought so I only caught the tail-end but made plans to go out with Otis later in the evening. We met up at the hotel and together with Gravity Press owner Brandon Graving we went to the evenings art walk. My camera died by this point so I didn’t get any pictures but the night was great. We stopped at the Community Print Shop, the exhibit at the Healing Center and Deborah Cornell and Barbara Putnam’s exhibit at the New Orleans Center for Creative Arts.
Saturday was another early morning walk to the hotel in order to re-set-up the publishers table (they moved us for day two). I decided the smell of the French Quarter at 7AM was a bit too much so instead I walked along the river. Day two of the publisher fair was held in conjunction with the portfolio sessions. It was a great day. I split my time standing at the table and walking around looking at all the amazing and talented printed works. Splitting time between the table and other events was a challenge since I was by myself but next year Kyle will attend as well and we will have more time to go to the lectures and demos.
Past resident Josh Dannin came by the booth just as I was packing up and we headed to the Wolfbat Railroad event that he had been participated in over the week. The BFT Wolfbat Railroad was another printmaking project going on at the same time as the Southern Graphics Conference but not in conjunction with it. Wolfbat Studios (Dennis McNett) & Woodcut Funhouse (Sean Starwars) teamed up with Vans Custom Culture to host a three day customization event that was 100% free and open to the public. As the organizers explained it “The event included the construction of a wooden train consisting of 1 steam engine & 20 box cars. Artist, educators, and college students from across the U.S. tricked out their boxcar with screen prints, woodcut prints, flags, paper mache structures, and what ever else they can come up with. Each artist or team worked with at least 2 local high school and/or middle school kids.”
Saturday evening was the culmination of this three day event and was celebrated by taking the train on parade through the Marigny/Bywater area. After the parade there was a party with a great brass band and tons of dancing printmakers. It was a great time and a wonderful way to end the weekends events.
Sunday was my last day in New Orleans and I spent most of the day hanging out with Josh. We did a ton of tourist like things – walk through the French Quarter market, check out all the great street performers, eat beignets at Cafe du Monde and walk around Bourbon Street. After Josh headed back to Philadelphia I went to the botanical gardens with my accommodations host Andrea and then out to dinner.
It was a great trip and I am happy that we decided to participate in the events this year. We are definitely going next year in Milwaukee.
-Chrissy
WORKSHOP: ETCHING WITH LOYALIST
For the past three years we have been given the opportunity to have the students of the Loyalist College Art and Design Foundations Program come to our studio to learn acrylic resist etching. As with prior years the workshop this February was a great success. There were over 30 people working in the studio but by having organized the space with inking station, drypoint stations, printing stations and drying stations each student had a chance to experiment and print a number of times.
With past workshops Kyle and I would prep all of the plates for the students, which meant cutting the copper, file the edges, degrease the copper and apply the hard ground resist. But since Kyle and I are teaching in the program this year we had the chance to show the class how to prep plates and coat them with the hard ground. Although this is not the most interesting part of the process it was great for us to share this step ( it is pretty crucial step to the etching process). There is always the fear with acrylic resist etching that degrease process was not done properly, potentially causing the hard ground not to adhere to the copper. Luckily each student did a great job applying their ground and not one plate was lost in the etching process.
The students had one week to draw their image onto their plates, after which they were brought to the studio where Kyle and I etched them and prepped them for printing. The workshop only ran for three hours and within that time 90 prints were made by the class.
*Above print done by Colleene Rowley
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THIS WEEK AT SPARK BOX
It has been a productive week here at Spark Box. With three residents and Kyle and I using the studio there has been so much work being created. After having a couple months with no residents at all it feels so nice to have an energized studio space.
Kyle and I continued to work on different projects in the studio including etchings, silk screens and watercolour monoprints (one of my new favorite processes!). I finally got a new website put up for my personal work which can be found at chrissypoitras.com.
J.P. King has been making some awesome collage pieces, including some sculptural collages. These pieces inspired our upcoming Collage Party happening this coming Wednesday the 25th (find details by clicking HERE). Kirsten McCrea started working on some great paintings but has also been making these intricate patterned works, which I really want to see as wallpaper.
Sarah Burwash has been painting up a storm in the outside studio. It’s so fun sharing studio space with her and chatting about the stories behind each one of her paintings. We have also been listening to a lot of Radiolab … always filled with endless discoveries.
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ARTIST FINDINGS – SEAN CAULFIELD
Body Plan #7, Mixed Media on Drafting Vellum
Kyle was working his hands bloody on the etchings for our upcoming show, Opposing Forces, which got me thinking about why we are printmakers. It is such a laborious process filled with endless amounts of technical issues that I wonder why we are so attracted to it. But then I see work like Sean Caulfield’s and it all makes sense again.
Body Question #3, Mixed Media on Drafting Film
Sphere of Fire, Mezzotint
Sean is a Centennial Professor in the Department of Art and Design at the University of Alberta, along with being a well establish printmaker. During my fourth year at Queen’s University Sean was one of the artists-in-residence. He lectured about this practice and allowed students to visit his studio to learn more about his process. Ever since then I have been a huge fan of his work. I enjoy all the elements and narratives existing in the unnatural environments and am in awe of his mezzotints. His intaglio pieces are a combination of collage and print collected together to create amazing imaginary spaces. On top of enjoying all of the small and subtle details that exist in Sean’s work I am also drawn to his limited colour palette. These is something about the few soft colours that make these works even more erie and mysterious.
Protecting Flames, Mezzotint, Intaglio, Chine Colle
Plan for a Sanctuary #2, Mixed Media
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PAST RESIDENT – SARAH AMMONS
As per usual I am trying to stay on top of the blog. I am realizing that I may not be as good at multitasking as I would like to have myself think. With the upcoming exhibition at the John M. Parrott Art Gallery I have been trying to go back and forth between the studio and Spark Box admin, which is proving to be difficult.
Anyway, onto the post about residency award winner Sarah Ammons, who was awarded time to work on a series of etchings a few years back. At the time Sarah was in the middle of her BFA at Queen’s University. We love encouraging artists in their undergrad to participate in the residency program as it is an ideal way to meet artists and build new connections.
We were quite excited about having Sarah work in etching since prior to her stay we hadn’t had many printmakers participate in the residency program. Sarah’s etchings were manly based on portraits and in her words were a “reflection on her outlook towards life”. During her stay she completed a number of medium sized works and had the opportunity to learn our non-toxic process.
ETCHING WORKSHOP WITH MOIRA SECONDARY
In anticipation of starting up workshops again I have decided to reflect on our most recent workshop at the new studio with a group of high school students from Belleville. Over the past few years we’ve worked hard to build a good relationship with the different schools around the area. We see art as a truly beneficial experience for any young person. Art provides youth with a place to express themselves in an open and nurturing space and we love giving a young person a chance to participate in an environment where they can freely be who they want to be.
This past fall we had the pleasure of hosting a two day etching workshop with a group of art students from Moira Secondary. Their teacher Rosanne Duke (a big supporter of the studio) she asked if her class could learn intaglio printmaking with us through the process of etching. We have done this workshop with Loyalist in the past and it has been a huge success so we jumped on the chance to share this very old process with her students.
This was the first big workshop we have held in our new space, making it a bit nerve-racking. With over 20 students we weren’t too sure how the space would hold-up, but to our surprise it turned out very well. We first went to their classroom to give each student their pre-grounded plates and the step-by-step instruction on how to carve their image. Then the entire class came to Picton to print their plates on our press. Each student had the chance to make an edition of four prints in two different colours. During the first half of the studio day students were timidly working with the inks and using the press but by the second half they were experimenting with different application processes and producing some really inspiring pieces.
If you are interested in learning about etching be sure to sign-up for our January Etching Workshop >> find out more here <<
JANUARY WORKSHOP // ETCHING WEEKEND
This introductory course requires no previous experience with printmaking. Students will begin the lesson with fresh copper plates and learn how to transform them into a small edition of prints. This workshop will teach students a non-toxic form of etching and will include hard ground techniques, aquatinting and soft ground techniques. By the end of the course students will have an understanding of the basic principles of printmaking including the above etching processes along with working with printing inks and using a traditional etching press.
Weekend workshop
January 21 & 22
10:00 AM – 4:00 PM
$200.00 non-member
$185.00 member
*materials included
PAST RESIDENT: TESSA ANDROUTSOPOULOS
This time last year we had printmaker Tessa Androutsopoulos staying with us. Tessa traveled to us from Finland. She studied printmaking at Gray’s School of Art in Aberdeen, Scotland and in her application she sent images of her degree show entitled “World Destroyer”. This exhibition explored imaginary of cityscapes through wall painting and traditional printmaking. This was one of the most vibrant applications we had received and I was very excited to see what she would create while at Spark Box.
The work she completed while at the studio lived up to our expectations. Tessa was with us for two months and during that time she made a screen print series inspired by the circus, as well as a number of large and small linoblock prints. She had made so much during her stay and had met so many people we thought it would be fun to host an exhibition of her work. The exhibition was great and the party was so much fun. Tessa’s work filled the front room of the old studio and people young and old enjoyed her humorous images and lighthearted display.
THE PAPER LETTER
Pine cone Card by Spark Box Studio
On the drive home from Belleville this Wednesday Kyle and I listened to a segment of the show “Spark” on the CBC about letter writing. Producer Michelle Parise talked about going through her basement and finding shoe boxes full of old love letters from high school boyfriends. She reflected on these letters and questioned how technology is changing the way we communicate with one another. She asked if text messaging and emailing have killed the physical love letter. (the link to this broadcast is below)
I thought this was a pretty cool question. I know I have cleaned out spaces and found old letters stored away in boxes. I used to keep every letter I ever received from a friend, boyfriend and family member. In fact, I have photo albums filled with letters instead of pictures. These messages mean so much to me –I cherish them and enjoy going back and re-reading. Maybe this is why I make printed material and use archaic machinery. I loved how Michelle talked about the experience you have with reading and writing a paper letter.
Octopus Card by Spark Box Studio
When I send a letter I think about how my paper or card selection says something about me. Then I know that the person I send at letter to will get to have a little part of me with them for as long as they keep the letter. When I make cards I imagine a person sitting down and writing out a letter to someone the care about and that my image means something to them. How do you feel about paper letters?
If you would like to listen to this broadcast click here >> and scroll to the last broadcast in the “Personal Connections in the Digital Age” section.
RESIDENCY AWARD
Beginning your career as an emerging artist can be tough, which is why Spark Box Studio is offering FREE RESIDENCIES to fine art students and emerging artists. This residency opportunity is a unique way for young and emerging artists to cultivate new ideas, access a rich library of arts resources, learn about career-building opportunities, and develop an understanding of the art world from a business perspective.
Six emerging artists will receive a one-week (7 days) residency at our Open Studio in Prince Edward County. The selected applicants will be given a private studio space and given access to the Spark Box Studio equipment and resources, as well, winners will be provided with living accommodations for their weeklong stay. They will also have access to career guidance from owners Chrissy Poitras and Kyle Topping, along with, local community members.
The winter residency award runs from January 9, 2012 to March 31, 2011. Please be advised that the award is for 7 consecutive days.
Applying for the Residency Award gives artists the opportunity to practice an essential business skill in the art world: the application process.
APPLY NOW (DEADLINE NOVEMBER 1, 2011) CLICK HERE>>
SPARK BOX SHOP
We have been working hard on putting together the merchandise section of the studio. As some of your will remember the “sale” area of the last space was crowed in a hallway, not the most convenient place to look at printed goods. We decided we wanted to make one full wall of the new studio dedicated to printed goods that were for sale. This would include materials from our craft sales, Square2 Magazine and personal art work. Like most projects it took a lot longer than we anticipated to get it together the way we wanted … but it finally feels close to finished.
We have also been updating our Etsy shop with new products and recently put up a table on the Poppytalk Handmade Online Market. So, if you are looking for a handmade gift for the upcoming holiday season please make sure to pop in. We are open year round Tuesday – Saturday 12 – 6 PM (Thursday we are closed).
UPCOMING EVENTS
NICOLAI SARAFOV LECTURE AND WORKSHOP
Free afternoon artist lecture starting at 2:00 PM Sunday August 7th
Get to know artist Nicolai Sarafov at this afternoon lecture at Blizzmax Gallery. Nicolai Sarafov studied for five years at the College of Fine Arts in Sofia, followed by six years at the Munich Academy. His etchings are figurative, narrative, filled with a literary references and rich with critical humour. Sarafov has been teaching for 25 + years, he has published a number of catalogues, books and magazines and has exhibited internationally.
There is still one spot open in the week-long workshop running from August 8 -12 from 6:00 – 9:00 PM each evening.
SMOKEVILLE SESSIONS
Smokeville Sessions, a new performance series that will move between different County venues, is holding its first evening starting at 7:30 pm on Tuesday, August 9 at the Tall Poppy Café, 298 Main St., Wellington. Featured are four literary performers, half from the County and half from “away,” a mix that will continue in future Smokeville Sessions as other kinds of performance are featured. In the inaugural evening, County residents Andrew McLuhan and David Harcourt will join Toronto writer/performers Charles C. Smith and John Oughton, with “community” as the common theme.
RESIDENT: JESSICA ANDERSON
This summer has brought us a number of fantastic artists-in-residents. Sadly, these artists don’t stay with us forever and last week we said our goodbyes to Atlanta-based artists Jessica Anderson. Jessica is pursuing a MFA degree in sculpture at the University of Tennessee. Her work and interests lie at the intersection of art, activism, and the transformative possibilities between the two.
The allure of printmaking did take hold of Jessica during her stay and she ended up making several prints large etchings. Her main focus though was the creation of sculptural pieces that resemble her In Laboratory work. During her two week stay the studio turned into what looked like a science lab filled with jars and bags of floating bits and pieces of simulated human parts.
GUEST LECTURE AND WORKSHOP
We are very excited to soon be sharing our studio space with professor of print and innovative artist Nicolai Sarafov. Sarafov will be traveling from Germany to visit friends at Blizzmax Gallery this August. During his stay in P.E.C. he will be hosting a week long etching workshop, as well as an artist lecture.
About the Instructor:
Nicolai Sarafov studied for five years at the College of Fine Arts in Sofia, followed by six years at the Munich Academy. His etchings are figurative, narrative, filled with a literary references and rich with critical humour. Sarafov has been teaching for 25 + years, he has published a number of catalogues, books and magazines and has exhibited internationally.
About the Workshop:
The etching workshop with Nicolai will be a week long workshop starting Monday 8th and ending Friday 12th. The workshop will walk you through the various techniques of the etching process, including hardground etching and aquatint. You will learn about working with copper plates to create images and using an etching press to transfer your work to paper. The workshop is open to all levels, including experienced printmakers.
$250 (includes material fee) Monday, August 8 – Friday, August 12 6:00 – 9:00 PM
About the Lecture:
Here Sarafov will speak about his work, his founding of the “Institute for Bagonalistik” and his publications.
Sunday, August 7 Starts as 2:00 PM FREE *limited seating*
Please contact chrissy@sparkboxstudio.com to book for the workshop or the lecture.
MAKING ART IN THE NEW DIGS
Six days after we moved into the new location we hosted our first resident, Krystal Read, hailing all the way from Dallas, Texas. I must say we were pretty nervous about having a resident only five days after we moved but lucky for us she was great and everything came together just fine. Krystal worked with etching and silkscreen while at the studio. She produced four progressive etchings with silkscreen components and several great sketches (like the one you see above). Krystal’s work is filled with layers of imagery from her past, found images and pop culture.
In her own words “many remnants of history, like old photos, are discarded or quietly tucked away without much reference. It is the rediscovery of these historical remnants that fascinates me. After stumbling upon a collection of old photographs at an antique store, I was drawn by the mystery of the photos. These ghost-like images that are discarded and almost lost to history implore elaboration and interpretation. Through various mediums (drawing, etching, performance, photo-animation) I explore how history can evolve into fantasy or decompose into remnants.
By etching a memory onto a metal plate, I explore the attempt to hold on to history. The medium allows me to explore the many facets of a memory by creating various states in which I scrape away parts of the image and fabricate other details. The plate retains each consecutive mark and, as a result, becomes a recording of historic events. Photo-animation also allows me to record the life of a memory by photographing the slow erasure of an image or the added drawing of a self-imagined context. This deliberate elaboration and removal of details generates questions about the elusive story of the image while exploring themes of memory, time and truth.”
THE LITTLEST PRINT EXCHANGE
Sometimes, when you don’t have time to create a whole body of work, it is fun to participate in a collaborative project. That is why this past summer I applied to be part of the Littlest Print Exchange. The Littlest Print Exchange is an annual juried trade of tiny art prints. Fifty artists are each invited to submit an edition of 50 prints and in turn receive a complete portfolio of 50 prints from all 50 contributing artists.
To my luck I was picked to be one of the 50 printmakers involved. So in early October I got to work making my 50 3″ x 3″ etchings to send off to Illinois. Why did Christopher Clark start the Littlest Print Exchange? He says that ”in truth, the Littlest Print Exchange is a chance to defy the notion that bigger is better, to prove that good things really do come in small packages, and to build connections between artists working around the globe.”
Being the owner of a print studio I encourage any opportunity to see the work of other printmakers and to connect with them. Because of this I was really excited and happy when I say the little package sitting in our mail box from Chris. I am also happy to announce that all of you can see these great prints as well. We will have the Mini Print Show up at Spark Box Studio until the end of the month.
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ETCHING WITH DEVON
Here are the images from the most recent private etching workshop. Devon took a three part etching workshop from Chrissy where she learnt how to do ‘hard-ground’ and ‘soft-ground’ etchings and the basic chemistry behind the process. Here are images of Devon inking up one of the plates she produced using the ‘hard-ground’ method.
SHADOW CABINET
This week Spark Box Studio hosted an etching workshop for a group of gentlemen. The workshop started in the late morning and finished in the mid afternoon. Seventeen individuals came to the workshop, 9 participated and the others watched. The morning was spent transferring images and drawing into the hard-ground covered copper plate. While the men ate lunch at Currah’s restaurant Chrissy and Kyle etched their plates and got ready for an afternoon of printing. When they came back from lunch Kyle demonstrated how to ink a plate, clean the plate, and print he plate. Soon enough it was gloves on and the men were inking their plates. It struck us that we probably should have mentioned to the men to wear or bring some old clothes they did not mind getting ink on, as the men came dressed up and were looking quite dapper. Luckily no one got ink on themselves and everyone who participated had a chance to print the plate they had created and left with at least 2 hand printed images. We had a great time running the event and the gentlemen had a fantastic time as well.
RESIDENT: MANUELA JARRY
Quebec artist, Manuela Jarry came to the residency for two weeks. Her stay with us was super productive. Working as an artist full time she certainly knew how to get her self motivated. By the time we got into the studio each day she had already been working for several hours. Emerging artists should take note- dedication, drive and ambition are what it takes to make it as an artist. Also, creating deadlines and holding yourself accountable for making those deadlines.
While staying with us she had the opportunity to further investigate print making by producing a small black and white lino-cut and etching. She produced some very sweet prints and we were really pleased to see such good results.
By trade Manuela is a painter working for a decorative arts firm. She has had several of her decorative pieces published, however, she is moving her focus to create a body of work that better represents herself as an artist. Her time at the studio was spent developing a new body of work that she plans to show to galleries. It was exciting to see an artist turning a new page and being seriously committed to their process.
We thoroughly enjoyed our time with Manuela and hope to see her again in the future.
SHANE WILLIAMS
Our high school volunteer program is running smoothly and we are so thankful for our volunteers. One of our volunteers, Shane Williams has been working at the studio for a few months now doing everything from sweeping and cleaning to assisting with workshops and helping run the studio. As part of our volunteer program we teach students about our business and the art practices the studio offers. Shane has been working on a small hard ground etching for a few weeks now and finally got to print the edition.
ETCHING WITH LOYALIST COLLEGE
This week we held an etching workshop for the Art Fundamentals class at Loyalist college. Last week we visited the class and discussed the principles of hard-ground etching; how the process works, how to draw into a plate, what things to avoid etc. A copper plate is coated with a thin ground, traditionally wax or at Spark Box we use an acrylic ground. Using a sharp needle the ground is scraped into and the underlaying copper is exposed. You draw your image into the ground and when finished the plate is submerged into an etchant. The etchant will begin to corrode any exposed copper and leave V shaped trenches in the copper plate that later will hold the ink. In addition to talking about etching, we left each student a coated copper plate and a few tools. A week later the class was to visit our studio to print their copper plates.
The students plates arrived a few days before the students were to come so that we could have ample time to etch and prepare the plates for printing. On a Tuesday morning Into our studio marches 20 students along with Robert Kranendonk (their professor). Organizing the large group of students into a cohesive group was not difficult, they were all eager to learn the next steps on the process and we gladly proceeded to demonstrate them. We showed the students the steps of plate preparation and moved on into how the ink the plate and how to print the plate.
Quite quickly students were inking up their plates and getting into the line up for the press. Everyone managed to ink up and print their plate several times. The students really did enjoy themselves and were all quite pleased with being able to produce an etching. By the end of the session everyone’s hands were covered in black ink and surprisingly only a few students got printing ink on their faces.
Photos shot by Kelly Taylor.
