BETH FREY
Beth Frey has an interesting way of looking at story telling and the creation of visual narratives. During her spring stay at Spark Box Studio this multidisciplinary artist created a number of highly detailed works on paper.
To some Beth’s work may appear to be quirky illustrations full of humorous characters in exotic environments, however, coming from a performance and video art background it is not surprising that Beth’s core concept is the history of story telling.
The drawings she made while at Spark Box were for a show in Toronto at the Gladstone. The curator had given the artists a short story of a young boy who was traveling through an enchanted forest being tricked by several squirrels along his journey. Beth’s visual interpretations of this story were soft in palette but complex in imagery. The piece ended up being a triptych full of elements that walked the viewer through the narrative of the fairy tale.
For more information on Beth, including upcoming exhibits please visit her website www.bethfrey.com
CHARACTER OF THE DAY
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DAY 2
DAY 1
We have had illustrator Niall Eccles working at the studio since we opened and have always enjoyed watching him work on his projects. Recently he has made the experience all the better with his daily characters.
I have always wanted to be disciplined enough to commit to a drawing a day … but alas it just isn’t in the cards for me. However, it is a practice I should adopt and we should all take a page from Niall’s book and try to create something everyday.
As a way of honoring Niall’s “Character of the Day” we will be posting them to our website daily!
These little drawings will be for sale at the studio if one of them catches your eye and you just have to have it!
RESIDENT: MIRANDA BOUCHARD
From Sault Ste. Marie, Miranda Bouchard, came to stay with us for a week under our residency award program. It has been wonderful getting to know Miranda on both an artistic level and personal level. She graduated from the university of Guelph and is now working full time in a marketing / communications position for a gallery in Sault Ste. Marie. As with many of our residents we get the opportunity to exchange and share our experiences of being emerging artists. Quite often the hardships of being freshly graduated, financially hindered, limited in space, and underemployed are met with sympathy. It may sound terrible but it is nice to meet others who are similar situations, especially in times of strained economical circumstances. Consistently what we gain and learn from our conversations with residents is that their resolve, determination, drive and ambition keep them positive, alive, moving forward towards accomplishing their artistic goals despite all the troubles young artists face.
Miranda was working with old found photographs and negatives from the early to mid 20th century. She was taking stacking images together to form interwoven new pictures from which she would translate into drawings. Here is a bit from her artist statement: “My works begin with technologically-mediated subjects: images captured by digital recording devices or from scanned, re-captured and manipulated photographs. The process of technological filtration – that is, the passage of an image through cameras, computers, printers, scanners and photocopiers – changes the source as it blurs, obscures, flattens, collapses, pixelizes and distorts it, creating a new image, offering a changed way of seeing something familiar.”
Check out www.mirandabouchard.com for more images of Miranda’s work, her full artist statement and CV.
ETCHING WITH DEVON
Here are the images from the most recent private etching workshop. Devon took a three part etching workshop from Chrissy where she learnt how to do ‘hard-ground’ and ‘soft-ground’ etchings and the basic chemistry behind the process. Here are images of Devon inking up one of the plates she produced using the ‘hard-ground’ method.
SQUARE2 LAUNCH PARTY
Join us for a night on the town! We will bring Prince Edward County’s newest arts & culture magazine to life June 10th starting at the Regent Theatre at 6 PM.
Performance art, poetry readings, live music and visual art will be occurring throughout down town Picton.
Participating locations include:
Spark Box Studio
Purchase a numbered limited launch edition of Square2 that night!
Event will be free of charge.
Sponsored by Angeline’s Inn and Restaurant
RSVP: info@sparkboxstudio.com
RESIDENT: MISHI
We realize it has been some time since we updated the blog about our recent residents, of which we have had a few over the past months. The first since the last post was Toronto-based artist Agnieszka “Mishi” Foltyn. 22-year-old Mishi is a graduate of Concordia and one of the last to visit of our 2009 fall/winter award winners. Kyle and I were both in love with her confident figurative work and her grimy drawings of boots. With a big personality and a lot of spirit Mishi feverishly worked on a number of large-scale drawings during her time at the studio.
On one occasion she was bombarded by a group of interested Loyalist College students. We were holding an etching workshop for the Art & Design Foundations at the studio and students couldn’t help be sneak into the her studio space to see what she was up to. Being the open-minded individual she is Mishi had no issues answering questions and allowing the students to take a look at her works in progress.
Mishi’s work can be seen or purchased at Gallery 133 and Art Interiors.
LETTERPRESS AND TYPOGRAPHY
In the mid-15th century the printing press was invented and with this piece of machinery came the first rapid production of mass-produced books in history . It is not uncommon now for someone to either have a relative or know someone that has worked with type and a letterpress. Type is used in the printing industry to describe individual lead letters (a key component in letterpress printing). In this form of printmaking hundreds of individual characters are arranged, making up the final printed book, newspaper, essay, etc. Between each printing the characters would be washed and a whole new set would be arranged for the next page.
In the past two weeks I’ve met nearly half a dozen of people who had actually hand-set type at one point. Emerging from this labour heavy printing process came the automated printing press. These mechanized machines further increased productivity by introducing plate printing techniques apposed to hand-set type. They have become more complex over the years and are still in use at commercial printers.
I highly suggest taking a tour of a commercial print studio, you’ll probably find a few old and wild looking machines. Generations today will likely not get to experience lead type used for an off-set printing press or a clunky typewriter. Unfortunately, like many things today I feel the inkjet version of type just isn’t as fascinating as the original handmade, hand-set, hand-inked, hand-printed quality of letterpress.
We’re proud to announce the most recent addition to the facilities at Spark Box Studio a 1928, 3″ x 5″, letterpress and three font sets. Set the font yourself, mix your own ink, hand-print every piece and feel the power of type.
HIGHSCHOOL TALK AT MOIRA
We had the opportunity to spend a day at Moira Secondary School giving presentations to art classes. Our presentations cover a brief overview of who we are and what programs / facilities Spark Box Studio offers. We offer our assistance to any individual who is thinking about perusing art school through portfolio reviews, mentorship, and volunteer opportunities. We close each session by asking the class to gather around to discuss the work in our studio portfolio.
LETS WORK TOGETHER
My first biz blog is going to be something that we at Spark Box find to be the most important in the small business world – collaboration! Where would Kyle and I be without all the support and hard work given to us by people in this community? Having access to a motivated and helpful group of friends and community members can really make a small business survive. I know this seems like a totally obvious remark but it is seriously one of the biggest components to being successful.
We Need Each Other
The art scene is a small one and so it is pretty easy to get connected and support one another within it. Being a collaborative art studio we know all to well the importance of working with others. Its vital for us to have local artists use the space. So in order to make that happen we need to listen and act on suggestions made by our clients and potential clients. Collaboration for a business has to be good for both participants. That is why we also try to support our studio members outside of the studio space. Kyle and I recently attended an opening of one of our Open Studio members, Mia Lane. Mia currently has a show up at the John M. Parrott Art Gallery in Belleville and we felt it was important that we attend. The show was great and there several other local artists there supporting Mia and her
Learn From One Another
Being an active blogger I have noticed that the arts/crafts world online are all about sharing information, contributing ideas, supporting other artists and their projects and cheering each other on. Bloggers especially love sharing their stories. These stories are a great way to hear about what they are doing but also to learn about small business trouble shooting. You are also supporting their projects by reading and contributing to their site. How great is that? Learn and give back at the same time! Collaboration can be that simple. Support can be that easy.
Etsy (an online arts and crafts market) is a great example of how amazing the arts community can be. Even though everyone on the site is trying to sell their own goods, and create their own client base many seem to want to help each other out. There are TONS of posts from other sellers giving helpful hints and tips on how to get your own shop open, running and successful. I love this about the arts community. We are so eager to give each other a leg up.
Don’t Drag Me Down
We have heard from a few of our residents that in art school professors tend to give little information about promoting your art and getting it seen. Some feel this is a fear of the market getting saturated or that the older generation wants to keep their fame and glory instead of letting new artists move up the ranks. I hope that we can help change this part of the “fine art scene”. The indie crafters are doing it… why shouldn’t the “fine arters”? This is why this part of the website is so important to us. We hope that we can share things we have learned from others, how we got to where we are and what we would never do again. Thinking that your business is all about you and believing that you don’t need anyone else is a HUGE mistake.
Looking for more fun business information check out our emerging artist website here
SHANE WILLIAMS
Our high school volunteer program is running smoothly and we are so thankful for our volunteers. One of our volunteers, Shane Williams has been working at the studio for a few months now doing everything from sweeping and cleaning to assisting with workshops and helping run the studio. As part of our volunteer program we teach students about our business and the art practices the studio offers. Shane has been working on a small hard ground etching for a few weeks now and finally got to print the edition.
BIZ BLOG
At Spark Box Studio we not only want to provide a great space where artists can produce work but we also want to provide those artists with a little business savvy. We feel that most people using the studio get a chance to chat with us about the business of art (although this doesn’t always happen in the most organized fashion, as we often find ourselves complaining about the ins and outs of the art world over dinner and a bottle of wine). Granted we haven’t had a whole lot of experience however the two of us we have been on a major learning curve since opening the studio and trying to get our own art into shows.
Recently Chrissy has been scouring the web and reading A LOT of great business blogs for crafters, designers and artists. She has signed up for everyones newsletter and has been getting some great ideas. As well we have both been reading up on grant writing, show application procedures, starting your own non-profit and the list goes on. We feel it would be unfair to keep all this great information to ourselves… so along with our emerging artist guide we are now planning to add a weekly (or what we hope will be weekly) business blog to our site.
If you think the information you find through these blogs or our emerging artist site are good, worth your time and full of handy information you can show us through filling out the survey linked to each post. This survey will not only show us your support and give us a reason to keep working at this part of the studio, it will aid in us staying alive as it helps fulfill our grant!
Looking for more fun business information check out our emerging artist website here.
ETCHING WITH LOYALIST COLLEGE
This week we held an etching workshop for the Art Fundamentals class at Loyalist college. Last week we visited the class and discussed the principles of hard-ground etching; how the process works, how to draw into a plate, what things to avoid etc. A copper plate is coated with a thin ground, traditionally wax or at Spark Box we use an acrylic ground. Using a sharp needle the ground is scraped into and the underlaying copper is exposed. You draw your image into the ground and when finished the plate is submerged into an etchant. The etchant will begin to corrode any exposed copper and leave V shaped trenches in the copper plate that later will hold the ink. In addition to talking about etching, we left each student a coated copper plate and a few tools. A week later the class was to visit our studio to print their copper plates.
The students plates arrived a few days before the students were to come so that we could have ample time to etch and prepare the plates for printing. On a Tuesday morning Into our studio marches 20 students along with Robert Kranendonk (their professor). Organizing the large group of students into a cohesive group was not difficult, they were all eager to learn the next steps on the process and we gladly proceeded to demonstrate them. We showed the students the steps of plate preparation and moved on into how the ink the plate and how to print the plate.
Quite quickly students were inking up their plates and getting into the line up for the press. Everyone managed to ink up and print their plate several times. The students really did enjoy themselves and were all quite pleased with being able to produce an etching. By the end of the session everyone’s hands were covered in black ink and surprisingly only a few students got printing ink on their faces.
Photos shot by Kelly Taylor.
BABY PRINTMAKERS
Back in November our baby niece came into the studio looking to make a birthday card for her grandpa. She was just too cute and we thought we should share the pics of the youngest person to participate in the studio!
She decided to use a very basic printmaking method of stamping. Using her hands and feet she created an abstract image for the birthday card.
RESIDENCY AWARD: JUSTIN STEINBURG
Our second recipient of our 2009 residency award was Justin Steinburg, fourth year BFA (bachelor of fine art) student at Queen’s University. Justin came to stay with us at Spark Box Studio for a weekend in mid January 2010. He arrived with a car full of waterless lithography plates and woodcuts ready to print. When attending a residency it is always best to try and maximize your time printing by preparing material ahead of the determined residency.
His first day of the residency was spent printing plates and printing a three color separation woodcut. Using little ink to a fair amount of transparent base Justin’s woodcut shows the potential for color change when using transparent inks. This woodcut is from his thesis year at Queen’s university which focuses on color theory.
The second day of Justin’s residency with us we experimented with powdered pigments that he had bought from a supplier in Ottawa. He brought with him a wide range of different pigment colors, everything from primary colors to metallic bronze, silver, gold and iridescent pearl white (which was comically named ‘super sparkle’). We spent the day mixing up pigments into transparent base and testing the results. The basic colors mixed and print really well and printed just like inks out of a can. The metallic colors were a different story. We tried to mix the bronze and everything seemed to go alright but when it was printed it ended up printing splotchy and transparent. The obvious result was to add more pigment and stiffen up the ink, this produced better results. Out of the metallic colors the ‘super sparkle’, iridescent pearl, worked the best, producing a tinted white that had a great shine was we considered a success.
WORKING WITH YOUTH
As mentioned over and over again on our site we are very focused on assisting high schools students with an interest in art. Whether it be providing them with studio space and resources to learn, offering them volunteer opportunities or assisting them with their applications
Shane Williams is our new student volunteer. He will be coming to work at the studio once a week, assisting us with a variety of projects. He is also quite interested in learning about printmaking which is an added bonus!
Emma Steeles is a Pickering student who is building her portfolio to apply to universities throughout Canada. We had the pleasure of teaching her silkscreen. She created the sweetest little prints and had a great time at the studio. We hope that she will come back again for another course or to print a few more silkscreens on her own.
BUSY HANDS
BUY HANDMADE THIS HOLIDAY!
Spark Box Studio is going to be part of this years Busy Hands Craft Sale. The Busy Hand Christmas Craft Sale is a presented by Vicki’s Veggies and Honey Pie Hives and Herbals, it will be located on the upper floor of Books and Company. The sale is one weekend only, December 12-13 from 9 am-6 pm.
Spark Box is going to be sharing a table with home town crafter/artist Becky Lane, the one and only Nella Casson and a few super creative youth crafters! Be sure to stop by our table to get your hands on some exciting handmade goods including holiday cards and tags, knitted neck cowls, silkscreened stuffed animals, sock creatures, birdhouses and more!
CENTENNIAL SCHOOL PRESENTATION
We have been working on making connections with the local high schools for some time now. We were finally given the opportunity to speak at Centennial Secondary School in Belleville. Thanks to Bill Tomlinson we were invited to give a presentation his intermediate and senior art classes. The goal of the presentation was for us to explain Spark Box Studio, give the students an idea of who we are, what we do, how we got to where we are, and why we are interested in working with youth in the area. Being graduates of an art program are quite aware of how scary it can be to consider entering a field where you may become the ‘starving artist’. Being an artist is difficult road to travel, but it is a possible line of work. As part of our presentation we outline how we are trying to help young artists get started by providing many resources such as: out online guides, the Art School Guide, and the Emerging Artist Guide, a volunteer/mentoring program, portfolio consultations, residency awards and a community space to work in and interact with seasoned artists. This talk at Centennial was the first in it’s series. Thank you Bill for helping to arrange this presentation we both had a blast talking to your students.
OPEN STUDIO: CARL WIENS
This week Spark Box Studio is proud to present the newest participant in the open studio program, Carl Wiens. An illustrator based in the county, Carl is a fine example of an artist making a living. We strongly recommend that you check out his website at www.carlwiens.com. We especially love the robot work he has done, here’s a quick link to that section retroroborama. Carl is excited to start working on a silkscreen series in the studio. Within his first day he was well on his way towards a finished print. In the afternoon he managed to shoot two screens and print two colors for his edition of 10 prints. We’re really happy to have Carl working in the studio.
OPEN STUDIO PROGRAM
Recently Spark Box has had many people coming through the studio for workshops or continue their visual art practice. Several Open Studio participants are focusing on silkscreen with good results. Lis Gare had not done silkscreening for many years and was eager to re-learn the medium. She quickly realized how much silkscreening has changed over the years. Silkscreen used to be oil based and was very toxic. In fact it was at one point the most toxic art medium available. As many of your know at Spark Box Studio we use a water based silkscreen system. This method is far less toxic than the traditional oil based system.
Also working in the studio a local artist, Mia Lane. Mia has been taking the high realism technique often seen in her paintings and translating them into the etchings with superb results. Local printmaker and owner of Blizzmax Gallery Peter Mennacher has also started coming in to use the studio to print his etchings. Peter’s studio, located in a barn is unheated, as the temperature gets colder inks become stiff and unusable but lucky for him Spark Box Studio is heated and open through the winter!
CHRIS SABA AND LAURA CLAYTON
This past weekend our good friends, recent Queens University BFA grads and fellow printmakers Chris Saba and Laura Clayton came to stay and work in the studio. Chris traveled from Hamilton, where he has been participating at The Print Studio, and Laura Clayton came from Pickering. The weekend brought a lot of printing, Chris worked on a hard-ground etching while Laura braved the soft ground.
We are learning from the artists coming to the studio that community studios are uncommon and Ontario residency programs even more rare. It is with great pleasure that we are able to share our studio space.
STEVE NEWBERRY
Spark Box Studio had its first resident artist, Steve Newberry. Steve currently lives in Hamilton and came to focus on his next set of ideas and concepts. Steve primarily works in sculpture, installation and new media, but more recently he has become interested in printmaking. It was fantastic getting to know Steve over the course of his one week stay. In addition to focusing on his independant work, we taught Steve how to silkscreen. Steve had brought some old post cards of Belleville that he wanted to transfer into prints. We gave steve a complete crash course in silkscreen and talked about the posibilities for mixed medium work. In the end he decided to silkscreen onto plywood and will later integrate other elements such as woodcut, found objects, screws, paint and many other interesting processes.
Two of the images we printed are posted. It should be mentioned that when printing onto plywood one should consider that the surface is not 100% uniform. The wood has both divits and grain which will alter the final printed image, for better or worse.
Check out his website at–www.Steve Newberry.com.
RADIO RADIO
Spark Box Studio was recently featured on the Queen’s radio station CFRC. The three part interview was broadcast through their E-file and Alternative Frequency programs.
The interview was conducted by our friend Irina Skvortsova. Irina, along with Queen’s University student Cecily Taylor and Kingston silkscreener Julian Berry, owner of Ironclad Graphics, came to the studio not only to conduct an interview but also to use the space. Part of the interview included a short etching for the three visitors. By short we mean several hours.
We explained our hardground etching process from start to finish. Although the plates were prepared ahead of time we still talked about the importance of plate preparation. After carefully executing their imagery each individual was able to ink up their plate and leave with an original print.
During the coarse of the day Irina engaged us with discussion about Spark Box Studio, our education, experiences and how we had come to build up our business.
Watch our website for the posting of the interview clips.
MIDNIGHT ETCHING
In the dead silence of our living room our current housemates Paul and Hannah work diligently on their etching projects along side Kyle. For nearly an hour the atmosphere was focused and nothing could break their concentration, not even their grumbling stomachs. Both Paul and Hannah had never done etchings before and in the end they turned out fantastic looking prints. Paul drew the image of the crow while Hannah drew the heart image. After working in the living room we adventured to the studio and printed till midnight.
